The project, consisting of several short-term interventions, reflects the theme of the duality of today’s life, divided between the offline and the online world. With the help of a drone and social networks, the artist tries to demonstrate how this bipolarity translates into the understanding of some concepts, first of all the concept of “there”. It raises the question of what the word “there” defines nowadays and where this “there” is actually located, because its meaning necessarily changes depending on the chosen perspective. In addition, the artist attempts to uncover various ways of using a drone, from purely practical use to abuse. We watch the recording of the opening of the Cuckoo festival from a different, somewhat Orwellian perspective (#tam~there no. 1), through an automated recording of a runner (no. 2) who devotes time to himself in the background of a history-creating Syrian conflict because the conditions of his ploughed autumn landscape make it possible. However, the image and transmission are interrupted after a short time, and we find that nothing is perfect; the drone does not handle the transmission of online recording, the declared people-tracking feature fortunately collapses, and the runner goes on unnoticed for the time being. Another intervention searches the almost apocalyptic landscape in Ostrava-Přívoz, where we suspect the presence of heavy industry, heavy landscape and almost a sense of hopelessness (no. 3). However, the essence of the problem remains hidden only to be illuminated, perhaps, by the another drone flight.